News

VERNISSAGE, WEDNESDAY 24 FEBRUARY 2016 AT 6 pm 3 STATIONS, WELSERSTRASSE 15, 81373, MUNICH Dear readers, probably not all of you know that Manfred Bischoff has been teaching at Alchimia for 10 years, from its beginnings in 2000 and until 2010. His role has been immensely influential, his teaching philosophy[..]

Officina 500 | Via Lombroso 15 | Torino Opening: Saturday February 6, 2016 | Between 6 and 10pm On February 7 the exhibition will be open between 11 am and 8pm Alchimia is pleased to present 1 : 20.000, a solo-show by Italian jewelry artist Giulia Savino. This marks the[..]

as part of the second year MFA program I have experimented and explored, collected and ordered, discovered boundaries and got over them again. S. Weidenbach Can craft and technology support each other in a fertile way instead of battling for primacy? This is and has always been an important question[..]

– from a WhatsApp double stream of consciousness – Alchimia is happy to present The Alchimia Conversations, a series of dialogues between artists, using different media and formats. The first in the series is a light-hearted chat between two Milan based artists, Federica Sala and Luca Pozzi. One dealing with[..]

  Teacher: Elisa Deval Dates: June 21st 2019 to June 23rd 2019 Price and schedule: €400 + 22% VAT Friday from 5pm to 8 pm Saturday from 10 am to 5 pm Sunday from 10 am to 5 pm Info at: info@alchimia.it Objectives This workshop will cover the basics of Nunome-Zogan or[..]

The students of the second year of Alchimia’s BFA are proud to present the MOKKA PROJECT, a response to a workshop with Lucia Massei reflecting on the creative potential lying in the destruction and recomposition of objects particularly when made out of a material that is difficult to weld like[..]

A simple fact of life that María Ignacia Walker obsesses over: The shedding of hair. The obsession - losing them, collecting them, ordering them, measuring them and archiving them. The desire - to preserve these losses - It gives rise to “The transcendents”. The discourse is not about beauty and[..]