Marissa Ryan Racht’s new body of work titled Farview, outcome of a two-year research developed within the MA program of Alchimia, exists on what she defines as “the fine line between fear and empathy that defines us as human beings, and the methods we use to conceal them or protect ourselves against them”. Delicate but ultimately rough, seducing in a rather uncanny way, hard to define or classify, her pieces could be read and experienced within a larger exhibitionary framework in which images, photographs and a video introduced the audience to her larger set of references, both architectural and biographical, and to a particular type of drawings she realized with closed eyes incited by the reading of stories of fear and empathy of other people.
But let’s start from the basics. The site of the show, was a space available for an affordable rent in the center of Florence that created the right environment for the pieces.
Tables (and mind: beautiful ones taken from an antiquary) were hung from the ceiling so as to keep the jewelry pieces in the center of the exhibition format, surrounded by the other elements of the show such as the drawings.
Did you notice the white leather chair? Quite a number were distributed through the space, to direct specific viewing positions Marissa was interested in facilitating.
Marissa brought forward two collaborations, one for the images with Lilian Mattuschka, and one for a film with Federico Cavicchioli.
She printed a beautiful catalogue in 60 copies, designed by Lumy Noguez, with texts by curator and writer Riccardo Lami and herself, images of the pieces and many of her drawings. The price is 15eu only for special and limited edition, so we can’t but encourage to get one at your earliest convenience.
Last but not least: the carefully arranged food, as Marissa really takes care of every detail.
And of course as always we recommend: don’t forget to thanks friends (and family). As far as we know Carla Movia and Bernardo Cioci were paramount in making this happen.
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